Thursday, January 5, 2012

Nikon S9100 Review

 Nikon COOLPIX S9100 12.1 MP

Although at first glance it looks a lot like the Canon Powershot S95 & Olympus XZ-1, the P300 is a significantly different camera in a couple of important ways. It offers higher resolution, at 12MP than the 10MP common in that class. It also offers Full HD video (1080p as against 720p), but its true colors are betrayed by a lower price-point, a smaller sensor (1/2.3" as against 1/1.6" or 1/1.7"), & the inability to record RAW files.
After years of relative stagnation, Nikon's P-series is back. The Coolpix P7000, released late last year, now has a tiny father - the P300. Both in terms of specification & styling, the P7000 was designed to rival Canon's Powershot G-series, but the P300 is pitched a tiny lower.

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And so, despite obviously being designed to appeal to the same audience as the Panasonic LX5 and Canon S95, the nikon p300 review is actually a lot closer in specification terms to a camera like the Canon SD 4000 IS/IXUS 300 HS.

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Nikon Coolpix P300 Review: Big Bang for the Buck

 With just a few trade-offs, the Nikon Coolpix P300 ($330 as of July 31, 2011) is as close as a rival gets to the Canon PowerShot S95 in the realm of compact cameras with manual controls. Both cameras distinguish themselves from the pack by targeting discerning photographers looking for a pocketable complement to a DSLR--one that doesn't sacrifice much in terms of performance or features.
The Nikon Coolpix P300 is geared more toward the casual-photographer side of that user base, and it costs $70 less than the Canon PowerShot S95. It differs from the S95 in several ways, as it has no RAW shooting, no manual focus, a less-sturdy body, and no function ring like the one around the S95's lens. Despite all that, however, the P300 Nikon outclasses its main competitor in some key areas, offering an F1.8 lens that excels in low light, a much faster burst mode, better battery life, sharper images, and nice in-camera editing tools.
Head to head, the PowerShot S95 scored a bit higher in our performance tests. For the price, however, the Nikon P300 is an outstanding option, and it just might be a better buy for casual shooters who don't care about RAW mode or manual focus.

Hardware and Design

The marquee feature in the 12-megapixe lnikon p300 review is its F1.8 lens, which is the widest aperture available in this camera's price range. The only point-and-shoot cameras we've seen with lenses that rival that fast lens are the Olympus XZ-1 and the Samsung TL500, both of which are significantly larger in size and cost far more money. The P300's optically stabilized 4.2X zoom lens reaches from an ultrawide-angle 24mm to 100mm telephoto; nothing huge, but it's well equipped for both sprawling vistas and intimate portraits.
The nikon coolpix p300 review has a boxy, classic-looking build, with a body that measures 2.3 inches tall, 4.1 inches wide, and 1.3 inches deep. While it is lightweight, the camera feels a bit hollow, as its metal-plated frame is plastic on the inside. Instead of a full-on handgrip, the P300 has a raised lip on its right front face and a textured, rubberized thumbgrip on its back.
You work with all of the controls via physical buttons and dials on the top and back of the camera. A mode dial on the top lets you select from full manual, aperture-priority, shutter-priority, Auto, program Auto, the scene mode menu, backlight-correction mode, and a handheld low-light mode. To the right of that dial is a slightly finicky on/off switch (typically you need to press it firmly or more than once for the camera to turn on), the shutter/zoom control, and an unmarked dial that lets you manually adjust shutter speeds and program Auto settings.
On the back are a dedicated video-record button, a playback button, a combination directional-pad/scrollwheel for menu navigation and manual settings, a menu button, and a delete button. In manual mode and aperture-priority mode, the scrollwheel controls aperture adjustments, and pressing the scrollwheel's top, left, right, and bottom edges doubles as one-touch access to flash controls, the self-timer, exposure compensation, and macro mode, respectively.
The P300 also offers a pop-up flash, which you flip up and down with a physical switch on the left side of the camera; in manual and program modes, you can set the intensity of the flash in 0.3 EV increments. The camera's HDMI-out port resides under a door on the left side, and the camera's A/V-out port, battery, and SD Card slot are tucked under a locking door on the bottom.
As we've come to appreciate on Nikon's other recent Coolpix cameras, menu navigation is straightforward. The menu text is clear and sharp on the P300's 3-inch-diagonal LCD screen, and manual controls are well labeled with icons that tell you which physical controls you should use to adjust them.

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